Clubbers prosopographies in São Paulo and London:
Fashion, style, aesthetics and contemporary music scenes
DOI:
https://doi.org/10.21669/tomo.vi37.13382Abstract
In this article, we seek to analyze the São Paulo clubber movement in the 1990s as a creator of innovation in fashion and in the contemporary visual imagery. In this opportunity, we will take as a comparison the London clubber scene of the same time, prosopographing two central figures of both scenes: Alexander McQueen and Alexandre Herchcovitch. Our argumentation is that the clubbers' scenes experienced in the 1990s by these two fashion designers, independently activate playful energies and socialities intertwining creation, intermediation and cultural enjoyment on the dance floor. These scenes are spaces of versatility (and simultaneity) of creative roles. Network, simultaneity, versatility, interdisciplinarity, materiality, immateriality are assumed as ineluctable attributes of the musical scenes that are transported to the clubs, and later to the careers of McQueen and Herchcovitch.
Downloads
Downloads
Published
How to Cite
Issue
Section
License
TOMO journal adopts the Creative Commons CC-BY 4.0 license which allows:
• Share: copy and redistribute the material in any medium or format.
• Adapt: remix, transform, and create from the material for any purpose, even commercial.
Authors who publish in this journal agree to the following terms:
a) Authors retain copyright and grant the journal the right of first publication, with the work simultaneously licensed under the Creative Commons which allows sharing the work with acknowledgment of authorship and initial publication in this journal.
b) Authors are authorized to assume additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (eg, publishing in an institutional repository or as a book chapter), with acknowledgment of authorship and initial publication in this journal.
c) Authors are allowed and encouraged to publish and distribute their work online (e.g., in institutional repositories or on their personal page) at any point before or during the editorial process, as this can generate productive changes, as well as increase the impact and citation of the published work (O Efeito do Acesso Livre).





The manuscripts from thsi journals are licenced by CC BY.4.0.