CHÃO DE MEMÓRIAS:

O OFÍCIO DO ARTISTA-EDUCADOR NA CRIAÇÃO DE MUNDOS POSSÍVEIS

Authors

  • André Rosa
  • Samara Lupion

Keywords:

Performance Pedagogies; Anticolonial Pedagogies; Disobedient Methodologies.

Abstract

As a result of the COVID 19 pandemic, the first season of Chão de Memórias took place in a virtual way and consisted of six episodes, with the artist- educator's craft and the creation of possible worlds as its central theme. Triggering personal memories and cultural histories, the provocations were made about the knowledge between art and education, with the intention of in the collective, thinking about strategies and methodologies so that the cracks are made on the floors of our craft of artist-educators-researchers. Thus, this action led to the creation of a performative- pedagogical-digital inventory in possible anti- colonial performance pedagogies, becoming a space of resistance, struggles and exchanges that aims to echo the plurality of bodies and methodologies that do not fit in the hegemonic and colonizing narratives

, based on the following question: in what ways do we reinvent our floors in the creation of possible worlds between art and education?

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Author Biographies

André Rosa

  1. Doutor e Professor Adjunto do Departamento de Música e Artes Cênicas da Universidade Estadual de Maringá/Paraná. 

Samara Lupion

  1. Graduanda do curso de Licenciatura em Teatro da Universidade Estadual de Maringá/Paraná. 

Published

2022-10-25