APARELHAGEM TUXAUA, O SOM QUE FAZ A TRIBO DANÇAR: MEMÓRIA DISCURSIVA INDÍGENA EM MATERIALIDADES CULTURAIS NÃO INDÍGENAS

Abstract

When the subject is to be indigenous in Brazil, it is certain that the mainstream media insists and persists in a network of memories based on stereotypes, voices silencing, however, despite this negative undertaking, however we can count on other segments that value and (re) affirm the indigenous identity. This is the case of the Tuxaua apparatus, which, even without being indigenous, is crossed by a network of memories that (re) affirms this identity (SILVA, 2016). And this is the proposal of this text: under the theoretical-methodological perspectives of the french line discourse Analysis, to analyze the effects of the senses agenciados by the discursive memory while (re) affirmation of the indigenous identity in non-indigenous cultural materialities. As a result, it is understood that, to the supporters of this cultural manifestation, it is a matter of pride to assume an indigenous identity.