The performative art of passinho foda: 2008-2018
DOI:
https://doi.org/10.21669/tomo.vi37.13237Abstract
Abstract
This article proposes an ethnography of a short video that went viral in 2008, posted by a 16 year old boy at a lan house from the suburbs of Rio de Janeiro. We depart with the concept of ‘art as mediation’ by A. Hennion, of ‘art as agency” by A. Gell and of an “anthropology of sound” by S. Feld, our intention is to analyze the inventiveness of the digital performance of passinho, that includes creation, production, dance, posting, sound and images.
Key-words: urban dance, sound, image, internet, performance, creativity
Downloads
Downloads
Published
How to Cite
Issue
Section
License
TOMO journal adopts the Creative Commons CC-BY 4.0 license which allows:
• Share: copy and redistribute the material in any medium or format.
• Adapt: remix, transform, and create from the material for any purpose, even commercial.
Authors who publish in this journal agree to the following terms:
a) Authors retain copyright and grant the journal the right of first publication, with the work simultaneously licensed under the Creative Commons which allows sharing the work with acknowledgment of authorship and initial publication in this journal.
b) Authors are authorized to assume additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (eg, publishing in an institutional repository or as a book chapter), with acknowledgment of authorship and initial publication in this journal.
c) Authors are allowed and encouraged to publish and distribute their work online (e.g., in institutional repositories or on their personal page) at any point before or during the editorial process, as this can generate productive changes, as well as increase the impact and citation of the published work (O Efeito do Acesso Livre).





The manuscripts from thsi journals are licenced by CC BY.4.0.