No. 30 (2024): Travessias Interativas ➭ jan-abr/2024

DOI: https://doi.org/10.51951/ti.v14i30

Published: 2024-07-11

Full Issue

Literatura e cinema: questões de adaptação cinematográfica

Expedient - nº 23 questões de adaptação cinematográfica

Carlos Eduardo Japiassú de Queiroz, Renato Izidoro da Silva

6
- Travessias Interativas, nº 30, pág. 6 (Português (Brasil))
Os silêncios, a memória e o desejo experiências entre literatura e cinema em Marguerite Duras

Catarina Andrade, Camile Fernandes Borba

7-18
- Travessias Interativas, nº 30, pág. 7 (Português (Brasil))
The House of the Spirits representations of women’s torture in literature and cinema

Edna Mércia Bezerra Plácido, Isis Milreu

19-34
- Travessias Interativas, nº 30, pág. 19 (Português (Brasil))
A film poetry and a poetry film a comparative reading between Litania da Velha, by Arlete Nogueira da Cruz and Litania da Velha, by Frederico Machado

Wendel Vinícius de Freitas Santos, Marta Francisco de Oliveira

35-56
- Travessias Interativas, nº 30, pág. 35 (Português (Brasil))
The Duke and I (2000) e Bridgerton (2020) under the lens of intersemiotic translation representations about love and marriage

Gabriela Bruschini Grecca, Michelle Rodrigues da Silva

57-73
- Travessias Interativas, nº 30, pág. 57 (Português (Brasil))
From theater to cinema Shakespeare’s balcony scene as a space between media

Melissa Marangoni Leme

74-84
- Travessias Interativas, nº 30, pág. 74 (Português (Brasil))
The brazilian Macbeth the literary adaptation process of Shakespeare’s play for the movie A floresta que se move

Francisco Malta

85-96
- Travessias Interativas, nº 30, pág. 85 (Português (Brasil))
Mapping the boundaries understanding the transtextual nature of adaptations

Pablo de Araújo Gomes, Carlos Eduardo Japiassú de Queiroz

97-113
- Travessias Interativas, nº 30, pág. 97 (Português (Brasil))
The horror in “Morto não fala” from literature to the screen

Lucas Bitencourt Fortes, Carolina Marcon dos Santos

114-128
- Travessias Interativas, nº 30, pág. 114 (Português (Brasil))
Cinebiographed lives notes about the biography and the film Rare and trivial flowers

Alessandra Leila Borges Gomes Fernandes, Bruna Laís Silva Pinto

129-144
- Travessias Interativas, nº 30, pág. 129 (Português (Brasil))
A arte de produzir efeito sem causa narrative and transposition to the cinema in “Quando eu era vivo”

Marcos Antonio Fernandes dos Santos, Ilka Vanessa Meireles Santos

145-153
- Travessias Interativas, nº 30, pág. 145 (Português (Brasil))
Discussing “The promise payer” a (re) interpretation of adaptation from the prism of religious intolerance

Janisson dos Santos, Hamilcar Silveira Dantas Junior

154-166
- Travessias Interativas, nº 30, pág. 154 (Português (Brasil))
Film adaptations a study of three female characters from literature who made it to the screen

Marina Gonçalves, Andriele Aparecida Heupa

167-181
- Travessias Interativas, nº 30, pág. 167 (Português (Brasil))
Love to contempt and contempt to love

Helciclever Barros da Silva Sales, Wagner Corsino Enedino

182-201
- Travessias Interativas, nº 30, pág. 182 (Português (Brasil))
From text to screens intersemiotic translation and adaptation theory

Ariani dos Santos Fontes

202-213
- Travessias Interativas, nº 30, pág. 202 (Português (Brasil))
Intersemiotic translation of Ophelia’s death in tragedy, painting and cinema a reflection on the relation between the feminine and death

Clarissa Loureiro Marinho Barbosa, Carlos Eduardo Japiassú de Queiroz

214-225
- Travessias Interativas, nº 30, pág. 214 (Português (Brasil))
The text/context/content/form relationship in the representation of adolescence in Marnie’s memoirs

Maria Cláudia Bachion Ceribeli

226-242
- Travessias Interativas, nº 30, pág. 226 (Português (Brasil))
Between literature and cinema the March sisters by Louisa May Alcott and Greta Gerwig

Vanessa da Silva, Rafael Ferreira da Silva

243-257
- Travessias Interativas, nº 30, pág. 243 (Português (Brasil))
“Tell me a Story” intersemiotic translation in the short story The Three Little Pigs

Izabela Cristina de Lima Silva, Amanda Pinto da Silva Cândido

258-265
- Travessias Interativas, nº 30, pág. 258 (Português (Brasil))

Possibilidades de estudo e pesquisa entre a Crítica Textual e outras ciências

APRESENTAÇÃO – Possibilidades de estudo e pesquisa entre a Crítica Textual e outras ciências

Renata Ferreira Costa, Josenilce Rodrigues de Oliveira Barreto, Carolina Akie Ochiai Seixas Lima

267-268
- Travessias Interativas, nº 30, pág. 267 (Português (Brasil))
Textual criticism and stylistic the analysis of variants in text transmission

Lilian Barros de Abreu Silva

269-282
- Travessias Interativas, nº 30, pág. 269 (Português (Brasil))
Smiling chronicles of Emir Macedo Nogueira perceptions of changes in portuguese language through time

Maiara Keiko Uno Uno

283-293
- Travessias Interativas, nº 30, pág. 283 (Português (Brasil))
Alcina Dantas Collection (AAD) interaction between philology, archival science and ICTs

Pollianna dos Santos Ferreira Silva, Rosa Borges

294-300
- Travessias Interativas, nº 30, pág. 294 (Português (Brasil))
A miscellany from the 18th century – analysis of documental typology as support for understanding the text

Waldney Jorge de Lisboa, Carolina Akie Ochiai Seixas Lima

301-314
- Travessias Interativas, nº 30, pág. 301 (Português (Brasil))

SEÇÃO VÁRIA

The Cave of Saramago between sacred and profane or mythical-ideological impact colonial in modernity

Pedro Vinicius Lopes Rezende

316-331
- Travessias Interativas, nº 30, pág. 316 (Português (Brasil))
Synesthesia and the musical substrate in The Flowers of Evil by Charles Baudelaire

Rebeca Torrezani Martins Hippertt

332-343
- Travessias Interativas, nº 30, pág. 332 (Português (Brasil))
Mapping of verbal forms in conditional sentences in the portuguese spoken of Vitória/ES

Leila Maria Tesch, Larissa de Souza Viana

344-360
- Travessias Interativas, nº 30, pág. 344 (Português (Brasil))

No. 30 (2024): Travessias Interativas ➭ jan-abr/2024

Full Issue

Literatura e cinema: questões de adaptação cinematográfica

Expedient - nº 23 questões de adaptação cinematográfica

Os silêncios, a memória e o desejo experiências entre literatura e cinema em Marguerite Duras

The House of the Spirits representations of women’s torture in literature and cinema

A film poetry and a poetry film a comparative reading between Litania da Velha, by Arlete Nogueira da Cruz and Litania da Velha, by Frederico Machado

The Duke and I (2000) e Bridgerton (2020) under the lens of intersemiotic translation representations about love and marriage

From theater to cinema Shakespeare’s balcony scene as a space between media

The brazilian Macbeth the literary adaptation process of Shakespeare’s play for the movie A floresta que se move

Mapping the boundaries understanding the transtextual nature of adaptations

The horror in “Morto não fala” from literature to the screen

Cinebiographed lives notes about the biography and the film Rare and trivial flowers

A arte de produzir efeito sem causa narrative and transposition to the cinema in “Quando eu era vivo”

Discussing “The promise payer” a (re) interpretation of adaptation from the prism of religious intolerance

Film adaptations a study of three female characters from literature who made it to the screen

Love to contempt and contempt to love

From text to screens intersemiotic translation and adaptation theory

Intersemiotic translation of Ophelia’s death in tragedy, painting and cinema a reflection on the relation between the feminine and death

The text/context/content/form relationship in the representation of adolescence in Marnie’s memoirs

Between literature and cinema the March sisters by Louisa May Alcott and Greta Gerwig

“Tell me a Story” intersemiotic translation in the short story The Three Little Pigs

Possibilidades de estudo e pesquisa entre a Crítica Textual e outras ciências

APRESENTAÇÃO – Possibilidades de estudo e pesquisa entre a Crítica Textual e outras ciências

Textual criticism and stylistic the analysis of variants in text transmission

Smiling chronicles of Emir Macedo Nogueira perceptions of changes in portuguese language through time

Alcina Dantas Collection (AAD) interaction between philology, archival science and ICTs

A miscellany from the 18th century – analysis of documental typology as support for understanding the text

SEÇÃO VÁRIA

The Cave of Saramago between sacred and profane or mythical-ideological impact colonial in modernity

Synesthesia and the musical substrate in The Flowers of Evil by Charles Baudelaire

Mapping of verbal forms in conditional sentences in the portuguese spoken of Vitória/ES

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